A new documentary titled "2215 Chuea Baa Kla Kao" focusing on rock star Athiwara 'Toon Bodyslam' Khongmalai's charity run from Yala to Chiang Rai goes on general release on September 6.
A new documentary titled "2215 Chuea Baa Kla Kao" focusing on rock star Athiwara 'Toon Bodyslam' Khongmalai's charity run from Yala to Chiang Rai goes on general release on September 6.

Rocker on the run

movie & TV August 17, 2018 01:00

By Parinyaporn Pajee
The Nation

11,975 Viewed

A documentary coming out next month follows the marathon run led by Athiwara ‘Toon Bodyslam’ Khongmalai to raise funds for Thailand’s public hospitals



The trials, tribulations and triumphs captured on 16,300 minutes of footage filmed throughout the 55-day journey of rock star Athiwara “Toon Bodyslam” Khongmalai as he ran from Betong, Yala in Thailand’s deep south to northernmost district of Mae Sai, Chiang Rai, are being told in the new documentary “2215 Chuea Baa Kla Kao” coming out on September 6.

The “2215” in the title, which translates as “2215, Belief, Crazy, Brave and Take a Step”, refers to the 2,215-kilometre journey that Toon undertook at the end of last year – slightly more than his planned run of 2,191km. 

 

That increase was down to his stops in different place along the way, as he went to local schools, visited the elderly waiting to donate money for the project and to government offices. In the end, Toon’s overwhelmingly successful crosscountry run raised more than Bt1.2 billion for 11 public hospitals across the country.

And in a nice twist, duty free giant King Power is expressing its thanks to the rocker by covering the admission price of 720,000 tickets so that Thais can watch the documentary for free between September 6 and 16. It is estimated that this will cost King Power some Bt144 million over and above its already generous donation of Bt100 million during the charity run.

“This is how I wanted to pay back the people who supported me during the run. They gave that support for free and now it’s time for me to give back,” says Toon.

Many Thais, of course, watched the live broadcast of the 55-day run and director Nottapon Boonprakob is quick to explain that the documentary contains plenty of behind-the-scenes footage that adds to the power of the story. 

 

“The live broadcast really only shows Toon and his followers running. Through this film, we want to portray what drove him to undertake the mission, how he was able to succeed and what pushed him to complete it despite the many obstacles and injuries,” says the director.

With so much footage to choose from, Nottapon has carefully selected the scenes that tell the real story of the marathon journey. 

“I don’t want to over praise him as a hero but portray him as an ordinary man with a passion to do something for others and an individual who can be weak and feel pain like anybody else. The documentary shows the unseen parts of the journey and gives us a better understanding of this man,” says the director.

Nottapon adds that this is not a conventional documentary with interviews and flashbacks. Yes, it does contain a few interviews but mainly relies on events and situations to reveal Toon Bodyslam.

 

The idea for the documentary was initiated by Toon himself, when he approached GDH a while back to ask whether they could do anything with the footage of an earlier run from Bangkok to Bang Saphan in Prachuap Khiri Khan. He later amended his request, telling the studio he would be running from Betong to Mae Sai. 

Producer Wanruedee Pongsittisak thought it was a crazy idea but was nonetheless happy to support the project.

“I joined Toon’s first charity run  Bangkok to Bang Saphan – and was overwhelmed by the positive energy along the route, so of course I was happy to support him,” Wanruedee says.

GDH handed the project to Nottapon, who had previously worked with its former incarnation of GTH as a scriptwriter for the movies directed by his elder brother Chayanop, namely “Suckseed” and “May Who?” He has also directed TV commercials and music videos and took the Social Documentary Film course at the School of Visual Arts in New York City. 

After a recent screening of the documentary, Toon remained silent. The nervous production team put his quietness down to the fact that he probably didn’t like the film. 

 

“It is not that I don’t like it,” he said later. “The point is I have my own picture and the movie collects valuable information along the run, by not focusing on me. But after they explained why they opted to present this way, I don’t have anything against it.

“The story should create a force or inspire people to do something that benefits them personally or the wider society such as starting jogging or taking care of their health. That was my intention and I hope the documentary will achieve that aim,” says Toon.

The director opted to keep the crew small, selected four people to man the two cameras and two more for editing.

The two camera teams followed the run from the beginning, shooting on two motorcycles or from the top of a car and capturing interesting moments along the way including the cheering crowds along the road. They also followed Toon in the car he used to rest. At the end of each day, the two editors would go through the footage and write the daily record.

“Shooting this movie was tough and exhausting work as we had to carry the camera all day long. The camera broke and we had an accident but how could we complain when we saw him running even though he was tired?” says the director.

The trailer shows Toon crying out in pain when the doctor treats him for an injury – and there were several during the run – and as he relaxes in the private area, scenes that were not included in the live broadcast. 

Like many people who witnessed the run, the director admits there were many times when he was sure Toon couldn’t possibly finish his mission. 

 

“His fitness preparation wasn’t really designed for a crosscountry run because he continued to work hard, didn’t get enough rest and didn’t even manage his diet, all of which are essentials to prepare the body for a tough mission,” he says.

“To me, the film is a good opportunity to show Thai audiences what a documentary really is. Most think it’s like a TV documentary showing wildlife or nature,” he says.

“I’ve been in the entertainment industry for 17 years and I’ve never had a chance to be in a movie like this. I received many approaches to star in films but have always turned them down because I’m not good at acting. However it’s inevitable that I have to be ‘Phra Ake’ in this documentary so I hope that I will be ‘Phra Ake 1000 Laan’,” says Toon, referring to the name given to the male protagonist in a movie that earns Bt1 billion, like Mario Maurer in the top grossing film of all time, “Pee Mak Phra Khanong”.

The Bt1 billion will not line his pockets but is the money he wants to donate to Siriraj Hosptial for the completion of the 84th Anniversary Navamindrabopitr Building.

The building construction is almost complete but the hospital needs another Bt1 billion to purchase medical equipment. The 84th Anniversary Navamindrabopitr Building is the last name granted by the late King Bhumibol Adulyadej and it will be used to care for underprivileged patients. Screenings on the road

n “2215 Chuea Baa Kla Kao” comes out on September 6. Free screenings will be available from September 6-16 nationwide at Major Cineplex and SF Cinema and limited to one show a day during weekdays and two screenings a day on weekend.

Screenings on the Road

- Toon will also take the movie on a road show nationwide from September to February and hold activities like short charity runs along with screenings.

- Donations can be made through different channels: at the donation box, using the QR code via mobile banking, by SMS or through SCB Bank account 0163045567. For more information, visit Facebook.com/kaokonlakao/.