Park Chan-wook made his English-language directing debut with "Stoker", starring Nicole Kidman, left, and Mia Wasikowska, right.
Park Chan-wook made his English-language directing debut with "Stoker", starring Nicole Kidman, left, and Mia Wasikowska, right.

‘Drumming’ up for success

movie & TV January 12, 2018 01:00

By Rumy Doo
The Korea Herald
Asia News Network

Movie director Park Chan-wook moves to the small screen with a drama series for the BBC

With his breakout film “Oldboy” in 2003, director Park Chan-wook has led the surge of Korean directors spotlighted in the international cinemascape in the past two decades.

For his next work, Park will be helming a BBC television drama series revolving around an international intrigue that involves multiple countries. The series will also air on US channel AMC. 

The six-episode drama is an adaptation of John Le Carre’s “Little Drummer Girl”, a 1983 novel about an actress who, seeking to escape the dullness of the English bourgeoisie, is lured by an Israeli intelligence agent into a mission to eliminate a Palestinian terror group. 

Florence Pugh will star as the protagonist Charlie, and Alexander Skarsgard has also joined the cast. The producer is Laura Hastings-Smith, who produced the film “Macbeth” in 2015. Among the international crew are production designer Maria Djurkovic (“The Imitation Game”, “The Hours”), director of photography Kim Woohyung (“The Taste of Money”) and costume designer Steven Noble (“The Theory of Everything”). 

“Of Le Carre’s many masterpieces, the one I loved ahead of any other is ‘The Little Drummer Girl’. At the core of this story is an extremely painful, but thrilling, romance. This is what makes the story universal, reaching beyond borders and languages and remaining incredibly current,” Park told the BBC last month. The series is Park’s second international undertaking following the 2013 Hollywood film “Stoker”, a psychological thriller produced by Tony and Ridley Scott, penned by Wentworth Miller and starring Nicole Kidman. The film, which premiered at Sundance Film Festival, garnered favourable reviews. 


“To adapt such a great work without losing its integrity, it needs the time and depth of a television series, and I am excited at the prospect of seeing how the drumbeats of Florence Pugh, the most energetic young female actor I have seen recently, will resonate with the audience,” says Park, who is making his television debut with the series.

The last two films by Park, including the erotic thriller “The Handmaiden” (2016), also featured women as their central characters. India Stoker, a girl with acutely strong senses, and her unstable mother Evelyn took the main roles in “Stoker,” while “The Handmaid en” centres on Lady Hideko, a seemingly docile heiress living under her authoritarian uncle, and her new handmaiden Sookhee. 

“The Handmaiden”, which on Tuesday was nominated for Best non-English film for the British Academy of Film and Television (Bafta) awards, was lauded as both a tale of feminine partnership that tears down a control system established by men, and South Korea’s metaphorical tearing away from the reins of Japanese colonial rule. Some, meanwhile, criticised its explicit sex scenes as exploiting the female form. 

Park has been vocal about his support for women in film. 

“Regarding the recent gender discrimination and hate against women in the film industry, I apologise, as a man, as a director, as a relatively veteran director and as a producer,” Park said in an interview with film magazine Cine 21. “I express true respect to my female colleagues who are speaking up on this situation.”  When he received the Baeksang Arts award in May for “The Handmaiden”, Park said he hoped for a “world where people would not be discriminated against due to race, sexual identity or sexual orientation”. 

Film director, screenwriter, amateur photographer, former film critic and former student of philosophy at Sogang University, Park is a self-taught auteur. 

He didn’t initially set out to be a director but a critic, even interviewing Quentin Tarantino as a film journalist when the American filmmaker came to Korea to promote “Pulp Fiction” in 1994. The two later met again at the Cannes Film Festival in 2004, when Park was invited for “Oldboy”, which eventually won the jury’s grand prize. 

Park only seriously resolved to become a filmmaker upon watching Alfred Hitchcock’s “Vertigo”, and that he was reluctant to watch it twice for fear of shattering those initial, overwhelming feelings the movie had evoked in him. 

Park’s debut feature “The Moon is ... the Sun’s Dream”, released in 1992, is about a man who discovers his wife’s infidelity. Commercial success and recognition came later, in 2000, when “Joint Security Area”, about an investigation into a shooting that takes place at the Demilitarised Zone in between the Koreas, became a box office hit. 

In 2002, Park went on to begin his “Vengeance Trilogy” – “Sympathy for Mr Vengeance” (2002), “Oldboy” (2003) and “Sympathy for Lady Vengeance” (2005). Through these films, he rose to prominence in international cinema for his meticulous framing, black humour and brutal, yet stirring, shots.  

Park turned to a quirky romantic comedy inside a mental institution in 2006 through “I’m a Cyborg, But That’s OK”, and went on to film “Thirst” in 2009, about a Catholic priest who turns into a vampire after a medical experiment goes awry.