A king’s invitation
Published on June 26, 2009
The final article in a two-part series on Europe’s royal-palace museums unlocks the treasures of France
BY DANG NANA
SPECIAL TO THE NATION
Hopping across the Channel from Britain, visitors to
France find that many of the old royal palaces and castles have also
thrown open their doors to the public. Probably the most famous is the
Palace of Versailles about 20 kilometres southwest of Paris. More than
10 million people wander through the 700 rooms here each year.
During the summer of 2006 Her Royal Highness
Princess Maha Chakri Sirindhorn strode into Versailles’ Glass Gallery
for a celebration marking 320 years since the first official delegation
from Thailand arrived in France. Loaded down with valuable gifts from
King Narai, the delegation was received by King Louis XIV in the Glass
Gallery.
Three centuries later, French president Chirac was
there to receive the Princess, who was guest of honour at a concert of
classical music and dancing in the Opera de Versailles. Thai artists
also graced the occasion with a performance of khon, before the
Princess was conducted on an evening tour of parts of the palace not
open to the public. The tour culminated in the cavernous La Salle de
Battailles (The Hall of Battles) where a champagne reception for the
hundreds of Thai and French dignitaries was held.
Thirty kilometres further south from Paris is the
even older Palace of Fontainebleau, where Napoleon III received a later
Thai delegation from the Court of King Rama IV. Here, visitors can roam
rooms sumptuously refurbished with original furniture and see Empress
Eugenie’s collection of Chinese porcelain, which includes precious
gifts from King Rama IV.
French royals favoured the picturesque banks of the
river Loire as a location for their castles. Several were commissioned
by King Francois I (1515-47) as hunting lodges, or homes for his many
mistresses. All are beautifully built but few are as grand as the
Chateau de Chambord, which has 440 rooms, 365 chimneys and 84
staircases, one of which was constructed using Leonardo da Vinci’s
double-helix design so that people descending are hidden from those
ascending (perhaps the king had something to hide).
The Loire’s Chateau de Chenonceau was the love nest
of King Henry II of France (1547-59) and his favourite mistress Diane
de Poitiers. Twenty years older than her “toy-boy” lover, Diane was
admired for her intelligence, wit and the guidance she gave the king in
ruling over the country. Henry’s queen, Catherine de Medici, was
understandably bitter about the situation. When the King suffered an
accident during a tournament, she quickly sent a messenger to ask Diane
to return the jewellery given her by the king.
“Is the King dead yet?” asked Diane.
“No madam, but his wound is mortal; he will not live the day.”
“Go then and tell the Queen that her reign is not yet come and that I am mistress still over her.”
Catherine got her revenge by forcing Diane out of
Chenonceau when Henry died. The castle now belongs to an American but
is open to the public in its original state.
The aristocrats of Italy have also left their
mark on Europe, with many of their old castles and palaces now open to
the public (though few have been renovated to French standards).
Visiting these living museums is an opportunity to
experience European culture and arts up close, to stroll corridors that
stretch from centuries ago right up to the present day. A little
homework in advance, however, helps you to get the most out of any trip.
It helps to remember for instance that European
history was forged by two institutions, the Church and the Monarchy.
Kings relied on the Church for spiritual legitimacy while the Church
relied on kings for their patronage. The periodic breakdowns in this
uneasy alliance are what is behind most of the upheavals of European
history. (Of course, history is always written by the victor, so the
amateur historian has to take care that he gets both sides of the
story.)
With some of the grandest palace-museums in
the world, Europe is a paradise for the amateur historian. And while it
might seem much more convenient these days to take a virtual tour on
the back of your mouse, there is really no substitute for seeing with
your own eyes such sumptuous buildings left almost untouched by the
tide of time.
Dang Nana is a writer based in Provence, France.
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