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It's all in the mouth

This classical guitar student is getting ready to share his music-making abilities with the nation's first beatbox course



It's all in the mouth

n Kitchana Lersakvanitchakul

The Nation

Beatboxing gets an official nod of

approval this month with the

launch of Music Nursery 2007, a

project under the Tourism and

Sports Ministry's Office for Recreation

Development, which is devoting an entire

course to it.

Beatboxing is the art of vocal percussion,

and while the term is derived from hip-hop,

the genre can also be found in scat and more

mainstream pop. Essentially, it means creat¬

ing drum beats, rhythm and musical sounds

using the mouth, lips, tongue and voice, and

may also involve the simulation of horns,

strings and other musical instruments.

The course, which runs from Sunday to

August 26, is being taught by Kanun

Veeranarong, the second-runner-up in this

year's Chang Draught Journey to

Glastonbury Festival, which sponsored three

up-and-coming musicians to travel to

England with ska band T-Bone.

"You have to learn how to replicate various

percussion sounds with your voice," says

Kanun, 22, a fifth-year classical guitar stu¬

dent at Silpakorn University's Faculty of

Music. "My aim is to open beatbox to this

country."

Kanun, who has been a seri¬

ous guitarist since his early

teens, formed his own band,

Long Fang Doo, at university

and also played with Slot

Machine on their self-titled

debut.

Two years ago, he was

watching a Bobby McFerrin

concert on VCD and found

himself mesmerised by the

singer's beatboxing skills. The

American created his entire hit

"Don't Worry Be Happy" by

dubbing his voice on different

tracks to create different

"instruments".

He surfed the Internet for

more information and started

learning how to beatbox last

year.

"Having to haul your instru¬

ments around from show to

show is always a hassle. My col¬

league has a double bass, so it's

even harder for him. With

beatboxing, it's so much sim¬

pler. All you need is your mouth," he says.

"And musical instruments vary so much in

quality, while beatboxing depends entirely on

yourself."

It also requires a strong constitution and

healthy lungs.

"Being able to control your breathing is

essential but exhausting. After more than an

hour, my mouth gets really tired. I've started

to exercise more."

Kanun was able to pick up the basics is

less than two weeks, but admits it wasn't

easy.

"The basics consist of three main sounds -

bass drum, snare and hi-hat," he explains.

"The snare is particularly difficult to mimic."

Kanun, who no longer has time to per¬

form, has showcased his beatboxing abilities

at several universities. In addition to drums,

he also does guitar and bass.

He also occasionally busks around town,

mainly at Victory Monument and Siam

Square.

"I performed beatbox with a loudspeaker

and microphone at the monument about six

months ago. At first, I just stood there, but

after a while I started moving in time to the

rhythm and the audience really enjoyed it.

Before each show, I'd explain the technique,"

he says.

Earlier this year, he appeared on Channel

3's "Club X" and last month wowed the

crowds at Glastonbury.

"Right now, I can replicate the sounds of

drums, bass and vocals," says the 22-year-

old, whose favourite artist is Rahzel.

"Many foreign beatboxers have come out

with albums. I'd love to record one too, just

to prove that Asians can also do it," he adds,

before going into a brief beatbox rendition of

the traditional Thai tune "Khang Khao Kin

Kluay" to illustrate his point.

His dreams of having an album may well

come true, as Click Radio's managing direc

tor Yuthana Boonorm is planning to bring

together this year's three Chang Draught

contest winners - the other two are a gui¬

tarist and a violinist - for a studio outing.

"My songs blend beatboxing with guitar

and bass," he says. "They are fusion jazz with

a kind of hallucinatory feel."

Kanun will beatbox at Silpakorn's upcom¬

ing "Jazz Her #6" scheduled for the begin¬

ning of August.

Those wishing to sign up for beatbox or

any of the other free music courses should

call (02) 214 1509, (081) 919 2928, (086) 379

3709 or visit MusicNursery.com.

BOX:

Beatboxing basics

Bass drum: Press your lips together, build up pressure with your tongue and jaw and push your tongue forward from the back of your mouth, keeping your jaw closed at the same time.

Let your lips part at the side, letting air to escape, which should make a bass drum sound. You want to add pressure with your lungs, but not so much that you sound hoarse afterward.

If you find you're not making a bassy enough sound, you need to relax your lips a little. If you don't make a bass drum sound at all, you need to tighten your lips or make sure you're controlling the sound and air from the side of your mouth.

Another way is to enunciate "puh". Then, take off the "uh" so that all you hear is a little puff. Try not to let any of the "uh" sound come out, and also try to not sound breathy.

Once you feel comfortable with that, you can tighten your lips slightly and force a larger amount of air through your lips to make a bigger drum sound.

Snare drum: This can be done several ways, but here are the two most common.

The first is similar to the bass drum, except you use the very front of your lips instead of the side, and you keep them tighter. Most beatboxers put an "f" or "sh" sound afterwards to make it sound more like a snare drum.

Another way to make a snare sound is to bring your tongue to the back of your mouth and build up pressure with your tongue or lungs. Use your tongue if you're looking for speed, or use your lungs if you want to breathe in at the same time as you make the sound. Try saying "pff", making the "f's" stop just a millisecond or so after the "p". Lifting the corners of your mouth and holding your lips really tight when making the initial "p" will help it sound more realistic.

You can also use the same technique to change the pitch.

The hi-hat: There are a few ways to go about this. First, you can make a "t" sound, pushing a little air behind it and making a "ts" sound.

You can also do successive hi-hats by making a "tktktktk" sound, using the mid-back of your tongue to make the "k" sound. You can make an open hi-hat sound by drawing out the breath in the "ts" hi-hat, so it's more like "tssss".


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